Strangers to Us All Lawyers and Poetry

Reading Poetry

Web Resources

Poems on Poetry

Ars Poetica (Archibald MacLeish)

Of Modern Poetry (Wallace Stevens)

A High-Toned Old Christian Woman (Wallace Stevens)

Poetry is a Destructive Force (Wallace Stevens)

Poetry is a Destructive Force (Wallace Stevens)

?Poetry (Pablo Neruda)

Poet's Obligation (Pablo Neruda)

Young Poets (Nicanor Parra) (trans. by Miller Williams)

Why I Am a Poet (Donald Crasswell)

Your Poem, Man . . . (Edward Lueders)

Teaching the Ape to Write Poetry (James Tate)

Introduction to Poetry (Billy Collins)

What is Poetry? (John Asberry)

How Poetry Comes to Me (Gary Snyder)

As For Poets (Gary Snyder)

Salvage This (Jerry Martien)

Eating Poetry (Mark Strand)

How To Eat a Poem (Eve Merriam)

Reply to the Question: "How can You Become a Poet?" (Eve Merriam)

I Stop Writing the Poem (Tess Gallagher)

Poetics (Paul Smyth)

The Thought Fox (Ted Hughes) [commentary]

For Poets (Al Young)

Poetry, A Natural Thing (Robert Duncan)

Poetry (Marianne Moore)

Evaluation of an Unwritten Poem (Wislawa Szymborska)

The Joy of Writing (Wislawa Szymborska)

A Loaf of Poetry (Naoshi Koriyama)

The Ballade of the Incompetent Ballade-Monger (J.K. Stephen)

To The Stone-Cutters (Robinson Jeffers)

The Art of Poetry (Jorge Luis Borges)

Notes on the Art of Poetry (Dylan Thomas)

The Poet (Ralph Waldo Emerson)

A Poet! He Hath Put His Heart to School (William Wordsworth)

Misc. (Historical Poems)

On the Future of Poetry (Henry Austin Dobson)

Ode to Fancy (Joseph Warton)

Ode on the Poetical Character (William Collins)

Poetry: Does It Still Matter?

Poetry: What Is It?

What Does Poetry Do?

Reading Poetry

On Reading Poetry
Kenneth Koch

Thinking-in-Poetry
Eleanor Cook

Obscurity in Poetry

Beginner's Guides to Poetry Structure

Prose/Poetry Problem
Poets on Poetry

"One function of the poet at any time is to discover by his own thought and feeling what seems . . . to be poetry at that time." [Wallace Stevens, The Necessary Angel: Essays on Reality and the Imagination vii (New York: Random House, 1951)]

A Note on Poetry
Wallace Stevens

On Becoming a Poet
Mark Strand

One Good Tern Deserves Another
Marge Piercy

From the Bread of Time
Philip Levine

How I Grew
Henri Cole

Pocketbooks and Sauerkraut
W.S. Di Piero

Question-a-Poet
Marie Ponsot

Question-a-Poet
Mary Jo Salter

Poetry: A Literary and Theoretical Perspective

Essays: Poetry Criticism

Classical Essays & Writings
Current State of Poetry

Poetry Anthologies

Janus-Faced Blockbuster [reviewing Cary Nelson's Anthology of Modern American Poetry (Oxford, 2000)]

Anthologizing the Innovative: Jerome Rothenberg & Pierre Joris' Peoms for the Millennium

Teaching Poetry

Journals & Magazines

Poetry: Place, Time, Kind

Links: Misc.

Academy of American Poets

Poetry Society of America

Modern American Poetry

20th Century Poetry in English

Poetry Daily

The Poetry Society

The Poetry Kit

The Borzoi Reader: Poets Published by Knopf

The World of Poetry

Contemporary Poetry Review

PoetryPoetry

Poetry Online

Anthologies

William Cullen Bryant, A Library of Ooetry and Song; Being Choice Selections from the Best Poets (New York: J.B. Ford and Co., 1872) [online text]

Rufus W Griswold, The Poets and Poetry of America (Philadelphia: Carey and Hart, 1842) [online text]

Samuel Kettell, Specimens of American Poetry with Critical and Biographical Notices (3 vols.)(Boston: S.G. Goodrich, 1829) [vol. 1: online text]

Harriet Monroe & Alice Corbin Henderson, The New Poetry: An Anthology (New York: Macmillan Co., 1917) [online text]

Edmund Clarence Stedman, An American Anthology, 1787-1900: Selections Illustrating the Editor's Critical Review of American Poetry in the Nineteenth Century (Boston: Houghton, Mifflin and Co., 1900) [online text]

Louis Untermeyer, Modern American Poetry: A Critical Anthology (New York: Harcourt, Brace and Co., 1921) [online text]

Richard Grant White, Poetry, Lyrical, Narrative, and Satirical of the Civil War (New York: American News Co., 1866) [online text]

Books About Poetry

Max Eastman, Enjoyment of Poetry (New York: Charles Scribner's Sons, 1921) [online text]

Francis B Gummere, The Beginnings of Poetry (New York: MacMillian Co., 1908) [online text]

Jay B Hubbell & John Owen Beaty, An Introduction to Poetry (New York: Macmillan Co., 1922) [online text]

James L. Oderdonk, History of American Verse (1610-1897) 57 (Chicago: A.C. McClurg, 1901) [online text]

Marguerite Ogden Bigelow Wilkinson, New Voices: An Introduction to Contemporary Poetry (New York: Macmillan Co., 1928) [online text]

Books About Poets

Louis Untermeyer, The New Era in American Poetry (New York: Henry Holt, 1919) [online text] [includes chapters on Edgar Lee Masters and Charles Erskine Scott Wood]

Research Resources

Early American Fiction: University of Virginia

American Verse Project: University of Michigan Humanities Text Initiative

Modern English Collection: University of Virginia Library

Sonnet Central

Contemporary American Poetry Archive

Cambridge History of English and American Literature

Edgar Allen Poe, The Literati British Poetry 1780-1910

An excerpt from Putnam’s Magazine. Original Papers on Literature, Science, Art and National, vol. 1 (6), p. 718 (June, 1868):

What is poetry good for? what does it prove? — are questions very like to be propounded by some of our busiest men, whatever may be their profession, whenever they are invited to judge for themselves by reading, at least, a brief review of what is called a poem,— being of those who, when they are pestered with invitations to run away from their business for awhile, when the woods are flowering and the cheerful waters are singing for joy, excuse themselves by saying they can’t see the use of it; or they don’t believe it will pay. When business is good, they cannot spare the time; and when it is bad, they can’t spare the money; and so they go on year after year, like a squirrel in his cage, travelling the same dreary round, without ever trying to escape, though the door be sometimes left open, until they get to be men of one idea—in other words, no better than monomaniacs; for what were our many faculties given us, if only a few are to be exercised? Were they not all intended for use? And shall a man, made after God’s own image, be satisfied with growing old over his desk, and counting his gains every night before he goes to sleep instead of saying his prayers—even the little prayer of John Quincy Adams, “Now I lay me,” etc.? Shall he, having ears, hear not, by stopping them to music, when the bewildering harmonies of well-managed concert, or the rhythm of a stately, noble poem, are filling the air about him?—eyes, and see not, when the glories of architecture and sculpture and painting are all about his way? What were such men made for? only to neglect or abuse their gifts? to concentrate all their powers upon the gathering of riches? or upon the gathering of riches? or upon president-making? or, indeed, upon any one pursuit or occupation, forgetful of every other?

"Reading a Volumen, or Roll."

John D. Quackenbos, Illustrated History of Ancient Literature, Oriental and Classical. (New York: Harper and Brothers, 1882)(use
d with permission of the Florida Center for Instructional Technology)

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