
Screenwriting
Getting Film Stories Told
James
R. Elkins
I have searched widely in the scholarly work on film theory, film criticism,
and film studies for ways of working with lawyer films that will be of
use to students. The most accessible, relevant, and useful source that
I have found is the work of playwrights, screenwriters, and screenwriting
consultants. Screenwriting people know that films are stories. They focus
on how stories work, and how they fail.
Recommended Reading
Robert McKee, Story: Substance, Structure, Style, and the Principles
of Screenwriting (New York: HarperCollins/ ReganBooks, 1997)
Christopher Vogler, The Writer's Journey: Mythic Structure for
Writers (Studio City, California: Michael Wiese Productions, 3rd
ed., 2007)
Supplemental Reading
James Bonnet, Stealing Fire From the Gods (Studio City, California:
Michael Wiese Productions, 2nd ed., 2006)
Syd Field, Screenplay: The Foundations of Screenwriting (New
York: Delta Book, rev. ed., 2005)
Howard Suber, The Power of Film (Studio City, California:
Michael Weise Productions, 2006)
John Truby, The Anatomy of Story: 22 Steps to Becoming a Master
Storyteller (New York: Faber and Faber, 2007)
YouTube videos on Screenwriting
Robert McKee
McKee's Consulting
Site
YouTube
Interview
Story
Seminar
Story Seminar: Lifetime
Story Seminar: Story Design
Story Seminar:
Setting
Christopher Vogler
The
Writer's Journey: Mythic Structure for Writers
Howard Suber
The Power of Film
John Truby
Disccussion
with Truby
The Anatomy of
Story [pt.
2] [pt. 3]
Dramatica Unplugged
Dramatica
Theory Overview
Introduction
to Characters
Characters
in "To Kill a Mockingbird"
A
Tale is a Story
Introducing
the Story Mind
A
Story is an Argument
Reason & Emotion Archetypes
The
Four Throughlines
Character
Creating
Compelling Characters for the Screen
Pamela
Jaye Smith: Inner Drives
Pamela
Jaye Smith: Power of the Dark Side
Story
How
to Write a Script: Story Structure
three act structure
Malcolm Halperin:
Screenwriting, the 2nd Act
Malcolm
Halperin: Writing the Treatment
Script
Structure in a Nutshell
more three act structure
Your
Script Does NOT Have Three Acts
Brian
Strum: Story Theory and Practice
a lecture
How
to Write a Story
Film
School Online: Story
audio only
Gerald
Everret Jones: On Screen Storytelling
More on Screenwriting
Writing
a Great Script Fast: Introduction
How
to Write a Script: Basics
The
Pompous Film Critic: How NOT to Write a Script
Nickolas
Kazan: Tricks of Screenwriting
Julian
Friedmann: Teaching Screenwriting
William
C. Martell - Hollywood Screenwriter
Paul
Chitlik on Reworking Screen Plays
Michael
Hague: Selling Your Story in 60 Seconds
Marcie
Begleiter: From Word to Image
Learning from the Masters: About Screenwriting
Sheldon
Turner :: Joe
Eszterhas :: Paul
Haggis :: David
Goyer :: Ted
Griffin :: Scott
Rosenberg :: Bruce
Joel Rubin :: Susannah
Grant :: Paul
Attanasio :: Billy
Ray :: Jim
Uhls :: Callie
Khouri :: Nia
Vardalos :: Jose
Riveria :: John
Hamburg :: Syd
Field with Stuart Beattie :: Syd
Field with Michael Arndt :: Interview
with David Mamet
Bibliography

Bob Berman, Fade In: The Screenwriting Process (Studio City,
California: Michael Wiese Productions, 2000)
Marisa D'Vari, Script Magic: Subconscious Techniques to Conquer Writer's
Block (Studio City, California: Michael Wiese Productions, 2000)
Lajos Egri, The Act of Dramatic Writing: Its Basis in the
Creative Interpretation of Human Motives (New York: Simon & Schuster,
1977)
Syd Field, The Screenwriter's Problem Solver: How to Recognize, Identify,
and Define Screenwriting Problems (New York: Dell Publishing, 1998)
Andrew Horton, Writing the Character-Centered Screenplay (University
of California Press, 2000)
Lew Hunter, Lew Hunter's Screenwriting 434: The Industry's Premier
Teacher Reveals the Secrets of the Successful Screenplay (Perigee
Trade, rev. ed., 2004)
Karl Iglesias, The 101 Habits Of Highly Successful Screenwriters:
Insider's Secrets from Hollywood's Top Writers (Adams Media, 2001)
Richard W. Krevolin, Screenwriting from the Soul: Letters to an Aspiring
Screenwriter (Renaissance Books, 1998)
Linda Seger, Creating Unforgettable Characters (New York: Henry
Holt, 1990)
Jennifer Van Sijll, Cinematic Storytelling: The 100 Most Powerful
Film Conventions Every Filmmaker Must Know (Studio City, California:
Michael Weise Productions, 2005)
Blake Snyder, Save the Cat! Goes to the Movies: The Screenwriter's
Guide to Every Story Ever Told (Studio City, California: Michael
Weise Productions, 2007)
___________, Save The Cat! The Last Book on Screenwriting You'll
Ever Need (Studio City, California: Michael Weise Productions, 2005)
Kristin Thompson, Storytelling in the New Hollywood: Understanding
Classical Narrative Technique (Cambridge: Harvard University Press,
1999)
Michael Tierno, Aristotle's Poetics for Screenwriters: Storytelling
Secrets From the Greatest Mind in Western Civilization (New York:
Hyperion, 2002)
Web Resources (Misc.)
Story Structure
Screenwriting
Gurus
Screenwriting
Tips for Playwrights
39 Steps
Christopher Vogler
The
Writer's Journey: Mythic Structure for Writers
Wikipedia
Christopher
Vogler's Screenwriting Workshop
Using
Myth to Power Your Stories
Robert McKee
Robert McKee
Wikipedia
The
Real McKee
The New Yorker
Lessons
of a Screenwriting Guru
All About Jewish Theater
Screenwriting
Guru Tells All
Salon.com
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