course resource readings

james r. elkins

 


Introduction & Background

The Cinematic Lawyer: The Magic Mirror and the Silver Screen
Rennard Strickland, University of Oregon School of Law

The Hollywood Mouthpiece--Screen Justice
Rennard Strickland, University of Oregon School of Law

Film and the Law
Steve Greenfield, Guy Osborn, Peter Robson

How Does Law Look in the Movies?
David Ray Papke, Professor of Law, Marquette University (review of Anthony Chase,
Movies on Trial: The Legal System on the Silver Screen (The New Press, 2002)

Conflicts of Law and the Character of Men: Writing Reversal of Fortune and
Judgment at Nuremberg

Suzanne Shale, New College, Oxford University (insightful commentary on how film narratives are constructed and what film-makers are attempting to do within the conventions of a Hollywood film)

Discussion: Convergence of Law and Popular Culture, ABC Radio Transcript, May 14, 1996

The Lawyer Gets The Girl--And Creates the Future
A "Picturing Justice" commentary by Professor John Denvir, a long-time student of lawyers and film

Film, Law and the Delivery of Justice
Steve Greenfield & Guy Osborn, 6 (2) J. Crim. J. & Pop. Culture 35-45 (1999)

Historical Perspective

Juriscinema's First Golden Age: Law and Lawyers in Film, 1928-34
Francis M. Nevins, Professor of Law, St. Louis University

Law/Lawyer Film Courses

Visual Literacy and the Legal Culture: Reading Film as Text in the Law School Setting
Philip N. Meyer, Vermont Law School [See also: Philip Meyer, Law Students Go to the Movies,
24 Connecticut Law Review 893 (1992)]

Teaching Film at Harvard Law School
Alan A. Stone, Harvard Law School

Using Fiction and Film as Law School Tools
Francis M. Nevis, Professor of Law, St. Louis University

Filmsy Evidence
Ethan Katsh, Legal Studies Program, University of Massachusetts-Amherst

On Hollywood Films & Society

Hollywood & Society
Douglas Kellner

The Lawyer and Popular Culture

Why Lawyers Should Study Popular Culture
Raby B. Browne, Department of Popular Culture,
Bowling Green State University

Introduction: Law and Popular Culture
Paul Joseph, Nova Southeastern University

Law, Lawyers, and Popular Culture
Lawrence M. Friedman, Stanford University

Get Off the Screen
Lisa Scottoline, lawyer, novelist

Law and Popular Culture--Film Collection
Roy M. Mersky, Tarlton Law Library, University of Texas

Lawyer as Hero

The Lawyer as Hero?
Gerald J. Clark, Professor of Law, Suffolk University

Lawyers as Superheroes: The Firm, The Client, and The Pelican Brief
Judith Grant, Professor of Political Science, University of Southern California

Young Mr. Lincoln: The Lawyer as Super-Hero
Norman Rosenberg, Department of History, Macalester College

Heroies or Villains? Moral Struggles vs. Ethical Dilemmas: An Examination
of Dramatic Portrayals of Lawyers and the Legal Profession in Popular Culture

David M. Spitz, insurance defense counsel, North Miami Beach, Florida

Characters

Villains in Film
Stuart Fischoff, Popular Culture Review

Women Lawyers in Film

Woman as Lawyer in Contemporary Hollywood Cinema
David Ray Papke, Professor of Law, Marquette University

Adam's Rib
Paul Bergman & Michael Asimow excerpt from Reel Justice:
The Courtroom Goes to the Movies
(Andrews and McMeel, 1996)

Race and Films

Narratives of Law and Inquality in Popular Film
Margaret M. Russell, Professor of Law, Santa Clara University

African American Attorneys in Television and Film
Cheryl Smith-Khan, Florida attorney

History of Law & Lawyers in Hollywood Films

Law, Cinema, and Ideology: Hollywood Legal Films of the 1950s
David Ray Papke, Professor of Law, Marquette University

The Movies of Classical Hollywood, the Law, and the Case(s) of Film Noir
Norman Rosenberg, Macalester College

On the Relationship of Lawyering and Lawyer Films

When Law Goes Pop
Richard K. Sherwin, Professor of Law, New York Law School

A Law Culture Diagnostic
James R. Elkins, Professor of Law, West Virginia University
(review of Richard K. Sherwin, When Law Goes Pop: The Vanishing Line
Between Law and Popular Culture
(University of Chicago Press, 2002)

Nomos and Cinema
Richard K. Sherwin, Professor of Law, New York Law School

Blurred Boundareis: Popular Culture and the Practice of Law
Avi J. Stachenfeld & Christopher M. Nicholson, Legal Video Services, Oakland, California

Images of Law & Lawyers in the Visual Media
Richard K. Sherwin, Professor of Law, New York Law School

Legal and Popular Storytelling in Closing Arguments in a Criminal Case
Philip N. Meyer, Vermont Law School

Filmography

Lawyers and the Law: A Filmography
Paul J. Mastrangelo, New York Law School Library

Lawyers and the Law: A Filmography II

Developing Film Collections

Outstanding Films About the Law and Lawyers
Robert Bloom picks the best in cinema

Essays/Commentary--Films

Adam's Rib
Paul Bergman & Michael Asimow excerpt from Reel Justice:
The Courtroom Goes to the Movies
(Andrews and McMeel, 1996)

Anatomy of a Murder
Timothy Hoff, University of Alabama

Breaker Morant
Drew L. Kershen, University of Oklahoma

Cape Fear
Francis M. Nevins, Professor of Law, St. Louis University

Cape Fear
Richard K. Sherwin, Professor Law, New York Law School

The Client
Judith Grant, University of Southern California

Dead Man Walking
Carole Shapiro, Professor of Law, Touro Law School

The Dock Brief
John Kidwell, Professor of Law, University of Wisconsin

Inherit the Wind
Gerald F. Uelmen, Professor of Law, Santa Clara University

Inherit the Wind
Nell Minow, Movie Mom's Guide to Family Films

Kramer v. Kramer
David Ray Papke, Marquette University

Nowhere to Hide: Cape Fear
ABA Journal article, 1992

Straight Time
Philip N. Meyer, Professor of Law, Vermont Law School

The Sweet Hereafter
Tony McAdams, Management Department, University of Northern Iowa

To Kill a Mockingbird
John Jay Osborn, Jr., University of California, Berkeley

True Believer
Carl Selinger, West Virginia University

Young Mr. Lincoln
Norman Rosenberg, Macalester College

Supplemental/Recommended Readings:

James Riordan, Stone: The Controversies, Excesses, and Exploits of a Radical Filmmaker (New York: Hyperion, 1995) [Oliver Stone directed "Midnight Express," "Scarface," "Salvador," "Platoon," "Wall Street," "Talk Radio," "Born on the Fourth of July," "The Doors," "JFK," "Heaven and Earth," and "Natural Born Killers." Stone is an interesting man, made all the more so by Riordan's solid, and finely crafted biography.] [Oliver Stone: A Bibliography of Materials]